tag:blogger.com,1999:blog-6035679663902350821.post6875647832051838502..comments2024-02-27T08:48:02.693-05:00Comments on The Horror Section: Don't Kill The Messenger 83Jay Clarkehttp://www.blogger.com/profile/00943870346156273403noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-6035679663902350821.post-16495219821646147922010-12-07T05:02:11.064-05:002010-12-07T05:02:11.064-05:00Christ, minimum wage sucks. I cant belive all he ...Christ, minimum wage sucks. I cant belive all he made was ten bucks an hour. I hazard that work experience was what mattered most, but still.<br /><br />Thanks for posting that set of posters of films that DDL produced. There's not many people who made it as far has he did from the 1910's, and I doubt there will be others like him.<br /><br />BTW, I did my best on Gunblood when I wasn't trying. To read the instructions and try and beat the fucker is a WOT><br /><br />Magliochetti: They needed modelmakers for King Kong Lives and I’d had some experience building miniatures for some New York-based projects, so I flew down to Wilmington, NC for an interview and was offered a job in the model shop for the princely sum of $10 an hour. There I was at the North Carolina Film Corporation AKA the De Laurentiis Entertainment Group, AKA Dinoland. It was a fun experience, and definitely educational on many levels. It was my first experience in an actual studio environment and it took a little getting used to. Because it was such a casual place it wasn’t unusual to turn around and suddenly see Kim Basinger curiously wandering in and checking out our work. There was one spooky morning where David Lynch was hovering over me wayyy too closely, like a malignant vulture while sipping a cup of coffee and not saying a word.Anonymousnoreply@blogger.com