In addition to the usual reviews and comments you would find on a horror movie blog, this is also a document of the wonderfully vast horror movie section of the video store I worked at in my youth.
Showing posts with label Bruce Campbell. Show all posts
Showing posts with label Bruce Campbell. Show all posts

Friday, January 26, 2018

Don't Take No Shit From A Machine!


This week I took a trip into space with Robert Dyke's eighties sci-fi actioner Moontrap starring Walter “Chekov” Keonig and Bruce Campbell.


A pair of astronauts (Koenig & Campbell) embark on a desperate mission when it is discovered there may be hostile alien life on the moon.

I had seen every one of the B-movies Bruce Campbell made in between Evil Dead 2 and Army of Darkness except this one. I guess I had unconsciously been saving it for a rainy day, or in this case, snowy. Anyhoo, Moontrap was a lot better than I was expecting. I keep having to remind myself that this movie was made in 1989 because it feels fundamentally like the stuff that was being cranked out in the early nineties by Full Moon and the like.

When the movie started up, it basically seemed like a cross between Alien & Lifeforce, except instead of finding a hot naked space vampire chick, Keonig & Campbell bring back a fourteen-thousand-year-old corpse and a weird leathery egg-shaped thing. Naturally, I thought they lost out on the deal, but then the egg cracked open and fashioned itself a body out of parts - both metal and human! Okay, I'm in. Sure, it might not do much more than shoot electricity, but hey still better than Alien: Covenant.


Getting back to Campbell for a second, can I just acknowledge that he played an ex-fighter pilot nicknamed The Penetrator? Despite that, Campbell was not the star of this film, as this was before Evil Dead became the iconic franchise it is today. No, based on the cache of Star Trek, the leading man is fifty-odd Walter Koenig and he's giving it one-hundred per cent. He even does push-ups in one scene to prove he's got the goods. In MoonTrap, Koenig's the hero, saves the day and even gets the girl. And yet, still more plausible than Alien: Covenant.

Bruce Campbell & Walter Koenig in Moontrap

Moontrap does wear its budget on its sleeve, but it's rather endearing in the way of lot of the sci-fi flicks of this period (i.e. Empire & Full Moon's giant robot flicks) were. Moontrap may belong to an alternate universe where the nineties saw many impossible technological advances, but hey, again, still more plausible than Alien: Covenant.

I had to appreciate the ample practical effects here. When Koenig & Campbell return to the moon later, they spend a lot of time cruising around their little miniature moon buggy – and it is adorable. Director Dyke worked on the miniatures used on Evil Dead II, so I would assume the genesis of this project - and Campbell's involvement - started there. Also, when they find a lost city on the dark side of the moon they soon discover... hey whaddaya know, a frozen space babe! Now it's way better than Alien: Covenant.


Moontrap was a nice surprise. Keonig & Campbell played off each other well and though it felt like a lot of it was made out of spare parts – much like its antagonists – it was still an entertaining yarn that didn't overreach. Unlike well, you know...

Friday, August 18, 2017

Hail To The Chin.

This week saw the release of Bruce Campbell’s third book, Hail To The Chin: Further Confessions of a B-Movie Actor. Campbell describes this autobiography as “Act Two” and picks up where his first one left off at the onset of the 2000's.


While I think his debut If Chins Could Kill was a little more engaging, as it went into details about his early days with the Renaissance Boys and his rise to B-movie icon, Campbell has much to regale us with from the past fifteen years. I am an avid fan and even I had forgotten just how busy he’d been over the last decade or so when it was all laid out in print. I think my only glaring disappointment was that there were significantly less photos and visual aids compared to his first book. 

Hail To The King begins with Campbell's short lived action show Jack of all Trades and then he takes us through the aughts, including his turn as Elvis in Don Coscarelli’s beloved Bubba Ho-Tep, his adventures shooting The Man with the Screaming Brain and Alien Apocalypse in Bulgaria and his extended run as Sam Axe on the USA Network’s spy show Burn Notice.


Aside from the broad stokes, he also delves into his continuing cameo work in Sam Raimi joints, using his own property to film My Name Is Bruce and the whack of failed pilots he did in between Burn Notice and Ash Vs. Evil Dead.

I found that Campbell revealed more about his private life in this book. While not all of it is particularly exciting – get ready to discover more than you ever wanted about Oregon – I learned quite a bit about the man. Did you know that he has once arrested for DUI or that he has a side business with his wife harvesting lavender? Me either!

Campbell at Fan Expo Toronto in 2009.

Campbell also spends a few chapters speaking about the business of fan conventions and public appearances. I think this was the part I was most interested in because I wanted to get some insight on just how much of a grind this process can be. I was a party to some really unflattering behaviour toward convention volunteers in the past, so I guess I was hoping for some acknowledgment that it can be tough to always to be “on”. Oh well, maybe he was just having a bad day.

Hail To The Chin was an amusing and brisk read about one of the genre’s most celebrated actors. As his “Act Three” begins, I am interested to see where the Chin grows from here.

Thursday, November 20, 2014

Horror Debates Part II

Last Wednesday, The popular Black Museum Debate Club returned with four teams arguing which of their chosen flicks was the best horror sequel.



Like before, each team consisted of two speakers;

Returning champions Tal Zimerman (Writer, Rue Morgue Magazine) and Steve Kostanski (Director, Manborg) were Team Dawn of the Dead.
The new duo of Alison Lang (editor-in-chief, Broken Pencil Magazine) & Simon Borer (musician, Entire Cities) made up Team Exorcist III.
Less Lee Moore (Writer, Popshifter.com) and Shaun Hatton (TV's The Electric Playground) comprised Team Aliens.
Alexandra West (Writer, Famous Monsters of Filmland) and J.M. McNab (Rewatchability podcast) were Team Evil Dead II.

Like last time, the debate was broken up into six rounds, after which returning judge Stuart “Feedback” Andrews awarded points based on performance. The first two rounds consisted of opening statements followed by a prepared six-to-eight minute video supporting their case. Here are some highlights;


Team Dawn of the Dead's three main points were scope, gore effects and the music.

Tal Zimerman: “Dawn of the Dead is the greatest sequel ever. It is the greatest movie ever. George A. Romero took his end of the world scenario, the likes of which no one had ever seen before, to levels unimaginable by audiences of the day.”

“Dawn offers bang for the buck unlike any other movie. There are so many gore gags and effects – exploding heads, flesh torn from necks, arms and legs, entrails pulled from body cavities, heads lopped off by helicopter blades and swords, heads blown off by shotguns, rifles handguns, split in half by machetes and dented by hammers, zombies run over by trucks, blown up by Molotov cocktails, and thrown off balconies.”

Steve Kostanski: “From the title card which explodes in a burst of guitar and synth, to the throbbing serenade that comprises Dawn's main theme, this action-packed funk workout – yes I actually just said funk workout – underscored the film's sequences and would be Goblin's most accomplished musical effort to date. No small feat considering the amazing soundtracks for Profondo Rosso and Suspiria that had come before.”


Team Exorcist III's three main points were atmosphere, the acting and that their film was the only true horror sequel of the quartet.

Simon Borer: “You know what's not scary? The evils of consumerism. You know what's not scary? Space. Nobody here is going to space, it's going to be fine. And if you find a book bound in human skin in the basement of an abandoned cabin? Don't read from it. You know what is fuckin' scary? Old people. This movie is about getting old, it's about seeing your friends embalmed, it's about seeing your friends succumb to dementia and it's a fear we're all going to have to face and that's why this has the scariest atmosphere of any movie.”

Alison Lang: “George C. Scott gives this amazing performance (as Detective Kinderman) and we have also have Brad Dourif as the Gemini Killer, who we all know is one of the best character actors out there. And he fuckin' acts the shit out of that role! He's so fucking scary! And he doesn't need any prosthetics, he doesn't need any gore, he's just Brad Dourif. He just looks like a man possessed!”


Team Aliens' three main points were escalation, that the film works as a stand-alone, yet also has callbacks to the original.

Shaun Hatton: “Aliens raises the stakes of the first film, which is something that sequels should do. In Alien, there was a small crew aboard the Nostromo trying to fend off one alien. In Aliens, however, there is a colony of people who have been destroyed by a nest of Aliens. The situation is so bad that a special group of marines are sent in along with Ripley, the only human survivor of the first film.”

Less Lee Moore: “Ripley takes charge in Aliens, an equal of the men in the film instead of being saved by them. That makes her one of the first female action heroines, beating out Linda Hamilton in Terminator 2 by four years.”

“It is still scary like its predecessor, but it also adds action and comedy into the mix in the form of the marines, especially Private Hudson, played by Bill Paxton, whose scenes have become iconic.”


Team Evil Dead 2's three main points were ingenuity, Bruce Campbell and its creation of a universe.

J.M. McNab: “What's great about Evil Dead 2 is that it takes these formal building blocks of cinematic storytelling and really propel them to new creative heights. We've got these crazy tracking shots, stylized edits, the assaultive audio mix and the crazy prosthetics and make-up effects. This style was widely copied in this movie, and never equalled in our opinion.”

Alexandra West: “Bruce Campbell aka Ash really gives one of the most iconic performances in the entirety of the horror genre. Ash starts out as this smarmy guy, who loses his girlfriend to demons, has a mental breakdown, he fights with his own body, and eventually he emerges to become this crazy awesome, anti-hero with a chainsaw for a hand. There are very few films that have this kind of range. It speaks to the amazing relationship that Campbell and Sam Raimi have that they can push each other's limits.”

“This movie really builds the mythology and creates a wonderful world to play in. They make something really bold and exciting and new, while still respecting the horror genre. You can tell from this film that is a genre and they really love and are passionate about.”

After the supporting video segments, came the trivia round which consisted of five sequel-based questions. When the dust settled, Team Dawn and Evil Dead 2 were tied with ten points, with Exorcist III and Aliens following behind with, eight and six points, respectively.

Then after an intermission, the debaters returned with their rebuttals. Here’s what went down when the claws came out;

Team Dawn of the Dead on Exorcist III;
TZ: “We have a problem with you saying that Exorcist III is the only horror sequel up here. That might be the case relative to Aliens, but come on. Dawn of the Dead's a horror film, Evil Dead 2's a horror film. They may have comedic elements, but yours is certainly not the only horror sequel.”

SK: “And is this movie even a sequel? The exorcism in the movie wasn't in the original cut. The one scene that ties this movie to The Exorcist directly, the exorcist scene, was added after the fact. It was added into the film against the director's wishes, so it's not supposed to be there.”

Team Dawn of the Dead, Tal Zimerman (left) & Steve Kostanski.

On Aliens;
TZ: “We don't feel the stakes are raised, because they are ARMED TO THE TEETH!”

SK: “A good example of this is the chestburster scene in both films. In the original when it happens, that's the most horrifying scene in the movie. But in Aliens when it happens, their immediate response is to blast it with a flamethrower which kind of diffuses the scene. It takes away from it being a horror film.”

On Evil Dead 2;
TZ: “Creating a world? The world that's created in Evil Dead 2 is... Evil Dead plus Bugs Bunny. It's not so much a world as it is a cabin. It's basically a world that was already there. It was Evil Dead, plus slapstick comedy. I'm sorry, a world does not that make.”

“They pulled back on the horror element quite a bit, here's what Bruce Campbell said, and I quote 'we didn't want to create a movie that would cause kids to have nightmares. We wanted to have a wider appeal so we took out some of the real gore and put in some Three Stooges type gags.'”

Team Exorcist III on Dawn of the Dead;
SB: “When I said we were the only horror sequel, I meant that nobody else was both horror and a sequel. I don't feel Dawn of the Dead is the true sequel to Night of the Living Dead. It doesn't have the same tone, it has none of the same actors. John A. Russo retained the rights to 'The Living Dead', so the Return of the Living Dead is the film we should recognize as the sequel.”

Team Exorcist III, Simon Borer & Alison Lang.

On Aliens;
“Okay. What do the movie NBC sitcom Mad About You and Aliens have in common? The answer is they're not horror movies. Alien was a horror movie. It was an awesome haunted house movie. Aliens was an action movie, a trial run for Avatar.” 

On Evil Dead 2;
AL: “Ash is an action movie hero. He's not necessarily a horror movie hero. He's sort of a gunslinger, a buffed-up wise cracking, womanizing guy. Horror I relate to people who are disturbed or beleaguered, fighting their way to some sort of resolution. Ash to me always seems like a winner from beginning to end. To me that qualifies more as an action movie, not a horror movie.”

Aliens on Dawn of the Dead;
SH: “You talked about bang for your buck. There is a lot of various gore, but no mention of many scenes of people arguing, and the main characters playing 'house' for a very long time. Nothing particularly horror about that.”

Team Aliens, Less Lee Moore & Shaun Hatton.

On Exorcist III;
“The only reason it was directed by Blatty was because John Carpenter passed on it. That is a sleight. John Fucking Carpenter is like, 'no!'. Imagine how awesome The Exorcist III would have been with like, Jack Burton in it. Fucking great!”

On Evil Dead 2;
“You mention that the cinematic ingenuity was often copied since. Yes, it was copied mainly by... Raimi. He keeps using the stuff he used in Evil Dead 2 over and over again.”

“Again, I would argue that this isn't a horror film, as the other two teams have said, as much as it is a slapstick movie with ridiculous gore and that there is nothing terribly horrifying about it.”

Evil Dead 2 on Dawn of the Dead;
JM: “I find it interesting that one of your main points was the scope of the movie, considering most of the movie takes place in a shitty mall and a TV station. A lot of it is just people wandering around an abandoned department store, it's basically an episode of Today's Special.”

“I do like Dawn of the Dead, but I think in retrospect, it is kind of the American Beauty of horror movies. When I was sixteen I thought, 'people do go to malls, yeah fuck them' and now it's like, 'sometimes I need shoes.'”

Team Evil Dead 2, Alexandra West & J.M. McNab

On Exorcist III;
AW: “That one iconic scene with the nurse that you showed works because it plays itself out, the rest of the movie is this big Blatty wank-fest, with like lightning shots.”

JM: “I thought it was funny one of your main points was acting, considering I was surprised George C. Scott didn't choke on the scenery he was chewing. There's scenes where someone's like 'oh, you should look at the police report', and he's like 'NO, I WILL NOT LOOK AT THE REPORT GODDAMMIT!'”

“Also, I think it is worth noting there is not one shot in Evil Dead 2 that contains Fabio.”

On Aliens;
AW: “It didn't really change from the first one. Ripley always took charge. Even when she wasn't in a position of power, she was always saying what was right, always stating her mind, that's why she's a great character. So to say that's something new and original in Aliens is just plain wrong. They were just aping on that from the first film.”

“You mentioned call-backs? EVERY sequel has call-backs. I pity the sequel that does not have some form of call-back.”

Going into the last two rounds, Dawn and Evil Dead were still locked in a tie with twelve points, with Exorcist III right behind with ten.

Team Evil Dead 2 pulled ahead briefly after the closing statements, but the audience vote surprisingly favoured Exorcist III and put them into a tie for first with Evil Dead 2 with fifteen points.

Following a tie-breaking trivia question about the members of the Sawyer family from The Texas Chainsaw Massacre 2, TEAM EXORCIST III were crowned the victors and took home the Golden Tentacle trophy.


After two debates, it certainly seems like the underdogs flourish in this environment. In this particular instance, a win from Team Exorcist III made sense, as they were the only ones that didn’t make a grievous error over the course of the debate.

Tal of Team Dawn misspoke when he tried to argue that Aliens failed to be scary because there were too many characters in the film, saying that made us not give a damn about any of them.

Alex of Team Evil Dead 2 made the ill-advised statement that Dawn of the Dead was a boring film that she could barely stay awake through.

Team Aliens’ whole argument was inherently flawed in that they didn’t really talk up the horror aspects of the movie. There can be absolutely no doubt that Aliens is one of the best action films – if not the best – of all time, but a horror sequel? That’s a tougher sell, and they shot themselves in the foot by not concentrating on the few horrific elements that it does have.

So, Exorcist III came through with the win, basically by championing that it was the purest horror offering of the bunch. This was another good debate, even if the score keeping was a little befuddling at times.


Thursday, September 4, 2014

Fan Expo 2014 Part 3

Continuing into Saturday, my day was pretty full of panels, which was doubly fortuitous, as my contact with the ridiculous crowds of the Expo's busiest day was kept to a minimum.

The Black Museum conducted a lecture in the afternoon about the history of home video, so I naturally couldn't pass that up.


Josh Johnson, the director of the great VHS doc Rewind This, was on hand to take us down memory lane. He touched on all the main areas, including both format wars, the Video Nasties and how the advent of VHS shaped the film production and distribution industry.

I liked that Josh made sure to emphasize that horror had a very big presence during the home video of the mid-eighties, due to indie companies like Magnum, Paragon, Embassy and Continental, who were able to get titles on shelves quicker than their Hollywood counterparts.

Josh also had some great video tidbits, which included company logos, intros and this priceless promo reel for A Nightmare on Elm Street 3.



I also learned that the first SOV film was not Sledgehammer, but this 1982 flick called Boarding House, which I absolutely, positively have to track down now.



Local VHS collector Dan Gorman brought some visual aids to the show, as well.


Fortunately, the Black Christmas reunion panel was in the same room right after, so I didn't even have to move. Local talents Art Hindle & Lynne Griffin were on hand along with Nick Mancuso and the great John Saxon, who recently received a star on the Italian Walk of Fame.

There was a lot of reminiscing about how great and innovative a director (and human being) the late Bob Clark was, as well as just how Goddamn cold it was shooting in the winter of '73.

John Saxon (left), Art Hindle, Nick Mancuso & Lynne Griffin









Art Hindle answered about whether it was a fun movie to shoot despite the cold;

“No, it was fun. We were mostly inside, you know. A lot of us knew each in Toronto. It was unique. There wasn't a lot of jobs around then, so we just felt lucky to be on a set and working. We were working with Margot Kidder who was hilarious. Olivia Hussey was a sweet lady and brought none of the airs of somebody who did a fabulous movie like Romeo & Juliet. Andrea Martin was just in the beginnings of her career. Yeah, we just had a great, great time.”

Nick Mancuso talked about performing as the caller in the movie;

“There were three voices, there was me, the director Bob Clark, and an actress whose name was Mugsy Sweeney I think, and they were blended together in post... I stood on my head to compress the thorax to give it as spooky as sound as possible, so that's how we recorded it.”

Earlier in the day was the Bruce Campbell Q&A. Even better was that his friend & cohort Ted Raimi joined him onstage and they proceeded to ham it up to everyone's delight. I mean, you know how these guys are together, it's like watching The Three Stooges – minus the fake shemp (see what I did there!)

I only caught the last half-hour of this as I was at another panel, but it consisted of them pulling fans up on stage to showcase a “demonstrative talent”, which would in turn earn them a five dollar bill out of Bruce's pocket. The bits I saw consisted of a lady performing CPR on Ted, impromptu LARPing, and a cartoon voice-off.

Ted Raimi & Bruce Campbell.

When the duo did start answering questions, Bruce quickly dealt with the obligatory ask about Evil Dead 4;

“Well, there's no Evil Dead 4 right now because as you may know that Sam and his brother Ivan are developing an Evil Dead TV show, which will star me in some capacity.”

He also added that he didn't know whether it would really come to pass, but he was certainly up for it. You know, the usual.

When someone asked if Bruce had stolen his coat from Don Cherry, he replied;

“I'd probably be offended if I knew who that was!”

Toward the end of the panel, important issues were decided when audience applause dictated that Autolycus would win in a fight between him and Joxer.

I mentioned that I missed most of this panel because I was at another event. It was perhaps the only thing that could have taken precedence over seeing The Chin perform – The Twin Peaks reunion panel.

Actors Sherilyn Fenn, Sheryl Lee and Ray Wise were in attendance to celebrate the twenty-fifth anniversary of the ground-breaking television show. They were all visibly humbled by the amount of people that showed up to see them. I wish the panel had been twice as long, but here are a few little snips.

Sherilyn Fenn (left), Sheryl Lee & Ray Wise.

Fenn talked about her experience auditioning for David Lynch;

“I had met somebody who had encouraged me to stop trying to be who everybody wanted me to be and to be myself in interviews. I interviewed with David, and I didn't know so much about him, as I was only about twenty. So I went in there and was kind of quiet, and he asked me about the script. It went fine and I left. A week later they called and said that David had written me a part. It was such a cool confirmation of be yourself, you're enough.

Lee was asked about what it was like coming back to the character of Laura Palmer for Fire Walk With Me.

“The series ended rather abruptly, and as an actor, I didn't feel finished with her (Laura) even though I knew she was dead. And then Maddy died so fast. That is strange creatively. You're playing these people and you feel like you know them inside and out and then it's just cut so short. So, when David came to me, there wasn't a script at first, it just started in conversation, he said, I'm thinking of doing this about her life and the last few days and these other storylines and such. We would just sort of talk Laura and life. It's so strange that I have absolutely no memory of ever seeing a script even though I know there was one, but I also don't have a clear definition of where the series ends and where the film starts.”

Sheryl Lee & Ray Wise in Fire Walk With Me.

Ray Wise - as I discovered when I recently saw him in Montreal promoting Suburban Gothic - is a real character, who also happens to do a great David Lynch impression, which had the crowd in stitches. He told a few stories, including one about what he did when he learned that David Lynch wanted him to play Leland Palmer; 

“I had assumed I was going to play Ben Horne or the Sheriff. So, when he said Leland, I had to go back through the script. And I was reading... Okay, he finds out his daughter is dead, and he cries. Then he goes to the mortuary and identifies her body, and he cries. Then he's in his daughter's bedroom when the sheriff's going through all of her belongings, and he looks sad. And I thought, well all this guy does is cry! And then it dawned on me, this indeed was the challenge. I had to find different degrees of crying, and mourning, and you know, this was going to be something.”

At the end of the day, there was a screening of Fire Walk With Me at The Lightbox on glorious 35mm. I've seen the film several times now and two things always stand out to me. The first is how well balanced it is. It shouldn't be, as the first act is wonderfully comedic in tone, then turns on a dime, progressively getting more and more disturbing. Yet, the madman David Lynch is always in control.


The second thing is obviously Sheryl Lee's performance. There is so much range here, sometimes within a single scene. I've always been in awe of it, and her. She can be so terrible to people, but, like she does with Bobby outside the school, she flashes that iconic homecoming queen smile and you can't stay mad at her.

Come back tomorrow for my wrap-up post featuring photos from around the show floor.