In addition to the usual reviews and comments you would find on a horror movie blog, this is also a document of the wonderfully vast horror movie section of the video store I worked at in my youth.

Monday, May 16, 2016

TCAF 2016


This weekend I checked out the Toronto Comic Arts Festival. It happens at the Reference Library downtown every year and showcases hundreds of comic artists from around the globe. So much art at once can be a little overwhelming, but I always come away with some really awesome finds.


In addition to picking the above new works from my friends Trevor Henderson & Jenn Woodall, I was also glad to see that Ero-Guro artist Shintaro Kago was in town for the weekend debuting his newest anthology comic, Tract.


Artist Shintaro Kago

After using my limited Japanese while getting my book signed, I discovered Kago does personalized portraits. Using this handy guide, Kago will draw you being dispatched in a number of different ways.


I've since seen one done of a friend of mine, and the likeness was pretty uncanny. How awesome is that?! 

Sunday, May 15, 2016

DKTM 301


Hello all! I'm shaking off a video game hangover this morning, but here's what I've got for you today.

What's Your Pleasure, Sir?

While surfing this week, I came across a pre-order for this gorgeous little trinket from MezcoToyz.



Modelled on the Lament Configuration from Hellraiser III, this beauty boasts an apparent 43,252,003,274,489,856,000 combinations. While delivery on pre-orders won't be until the fall, a twenty-five dollar price tag (with shipping) is virtually irresistible. Click here to order your own doorway into hell.

Your Move, Creep!

I found two interesting crowd fund projects this week. The first is for Cult Screenings UK and Dead Mouse Productions' Kickstarter for the RoboCop documentary, RoboDoc.



This doc looks really great and just the pitch video makes me want to watch it again. To contribute, click here. The second is 88 Films newest Italian Collection restoration through Indiegogo, which includes the following films;





For more info on how you can make these happen, click here.

Don't Go In...

Recently, the trailer for Adam Wingard & Simon Barrett's newest collaboration, The Woods dropped online.



Judging from how much I dug You're Next and The Guest, I'm sure I can expect another wild ride. The Woods is set for release on September 16th.

Friday, May 13, 2016

The South Shall Rise Again!


Hey all. I admit I should've done some sort of Friday the 13th tie-in today, but the week got away from me. Instead, I want to talk about a VHS cover I recently discovered on the Horror VHS Collectors Unite Facebook page.

I first saw this Force Video release of H.G. Lewis' 2000 Maniacs when I was a little kid. 

Cover courtesy of Jimmy Fancher

It stuck with me, as a lot of those lurid sleeves did back in the day. However, it seemed after a certain point I never saw that particular cover again. When I started up this blog, I did an exhaustive search for it and turned up nothing. I began to believe I had imagined it.

Then, one fateful day last week, it appeared. My sanity was restored once again. For now.

Have a great weekend, guys. I'll be busy digging into Uncharted 4.

Tuesday, May 10, 2016

Trailer Tuesdays: Heavenly Creatures

On the subject of young girls tragically separated from reality, I give you the trailer for Peter Jackson's 1994 opus Heavenly Creatures.


Monday, May 9, 2016

Beware The Slenderman


The other film I saw at this year’s Hot Docs was Irene Taylor Brodsky's Beware the Slenderman.


In 2014, in an attempt to appease a fictional character named The Slenderman, twelve-year-olds Morgan Geyser and Anissa Weier lured their friend Payton Leutner into the Wisconsin woods and stabbed her repeatedly.

First surfacing on the humour website Something Awful in 2009, Slenderman has become the Internet’s biggest urban legend, inspiring short films, art and online fiction. Though the doc's title may suggest that this documentary is an exploration of the Slenderman myth, it's really more of a true crime investigation. Brodsky had already begun work on a documentary that investigated how the Internet affects how we view the world when the story broke, so that explains how she managed to be there filming those involved in the case almost immediately after the incident.

The most chilling parts of the documentary are the videotaped confessions of Geyser and Weier. I say confessions even though at some points they were speaking to detectives as nonchalantly as if they were ordering coffee at Starbucks. It was legitimately shocking to see how divorced from reality they were. Somehow, they had worked it into their heads that to become the Slenderman's “proxies”, they had to kill their friend. If they didn’t, he would come after them and their families.


There's another frustrating angle to this case, in how law enforcement initially handled things. During their first few hours in police custody, the parents still thought their children were missing and interviews were conducted in complete secrecy. I mean, how is it possible that a twelve-year-old can be interrogated without some sort of counsel present?

I've been ingesting a lot of stories about people trying to prove their innocence recently (Making A Murderer, Serial) so it was a eye-opener to see the other side of the scale. Though, regardless of the obvious guilt in this case, you still have to ask yourself how something like this happens. I know Geyser and Weier parents are. Brodsky talks to them a lot (the victim and her family declined to be interviewed for the doc) and I feel for them. They were not neglectful parents. In fact, all signs point to them providing perfectly stable environments.


Brodsky describes the circumstances as a “perfect storm.” They were two impressionable kids that together created a kind of psychological dead zone. Judging from their testimonies of the hours leading up to the incident, it almost seems like neither wanted to actually go through with, but neither would back down. It’s all very tragic. Ultimately, the real victim here is Payton Leutner. She was stabbed nineteen times, but still managed to survive. She’ll have to live with the trauma her entire life, one that by some miracle she still has.

Beware the Slenderman illicited several responses, but chief among them is sadness. Lives have been forever changed. The detrimental effects of our increasingly connected society is a discussion for another day, but it was an undeniable factor here. Beware indeed.

Sunday, May 8, 2016

DKTM 300!


Three hundred! Wow, that crept up. I don't have anything particularly special planned, but I did want to call attention to some film lists I have found in recent weeks.

On Her Majesty's Bloody Horror.

The first list is BFI's 10 Great Overlooked British Horror Films of the 1970s. There are some real deep cuts on this list that I hadn't even heard of like Demons of the Mind (1972) and Prey (1977).


The two above are highly recommended, as Full Circle (1977) is deeply haunting, and Donald Pleasance (the Pleasance family are featured in three titles on this list) puts in a playfully eccentric performance in Raw Meat (1972).

For the full list, click here.

Traces of Yellow.

I came across an old post from Taste of Cinema titled 15 Essential Films For An Introduction to Italian Giallo Movies the other day. And it's pretty ace.

I must admit there's a part of me that clicks on these lists waiting to disagree. In this case though, it was almost as if I'd picked them myself. Not only were the right films of the Holy Trinity chosen - The Bird With The Crystal Plumage (1970) & Deep Red (1975) for Dario Argento, Blood & Black Lace (1964) & Bay of Blood (1971) for Mario Bava and Lizard In A Woman's Skin (1971) & Don't Torture A Duckling (1972) for Lucio Fulci - but also some lesser known titles like Sergio Martino's My Vice Is A Locked Room and Only I Have The Key (1972, featuring the impossibly beautiful Edwige Fenech) and Pupi Avati's The House With Laughing Windows (1976).


This list is a glorious place to start if you're interested in Euro-horror and/or tracing the roots of the American slasher. I think the only title I'd have tacked on there would've been Martino's Torso (1973). Granted, it's decidedly closer to a slasher than a giallo, but you could say the same thing about Bay of Blood, as well.

Regardless, props to Hossein Eidi Zadeh for a great list that you can check out in full here.

As Time Goes By.

About a month ago, ScreamingVegetable over at Imgur put up an exhaustive Best Horror Film By Year list. The most interesting thing I realized while going through it was how much things got muddied after 2001.

DUCK... DUCK... DUCK... GOOSE!

Aside from obvious picks like Let The Right One In in 2008 (nothing even came close that year), there were some really contentious choices. I really hope that SV just forgot about The Descent, because there is no rationalization that The Devil's Rejects wins 2005. I would argue that The Descent would top a list by DECADE, let alone by year.


To close things out, I also wanted to let you all know that Perturbator released their new album The Uncanny Valley. Check it out!


Friday, May 6, 2016

Ahh, The Classics.

I decided to go big, and post the mother of all intros today. Here's the awesome ident for Cannon Films (complete with authentic tracking static).



Cannon Films was synonymous with home video. If you were renting B-movies back in the eighties, it would've been impossible for you to not come across that logo above. As you may know (especially if you've been following along with the Loose Cannons podcast), Cannon was established in the late sixties, but didn't really hit its stride until Israeli businessmen Menahem Golan & Yoram Globus took over in the late seventies.

They produced and distributed dozen of films that ranged from action pictures like Sho Kosugi's ninja trilogy (Enter the Ninja, Revenge of the Ninja and Ninja III: The Domination) and Chuck Norris' action vehicles (Delta Force, Invasion USA) to crazy off-the-wall fare like The Apple.

As for horror fare, they released plenty, including X-Ray, Texas Chainsaw Massacre 2 and Lifeforce. I actually saw a bunch of Cannon's horror titles through Elvira's Movie Macabre in the early nineties, as they must have had a deal with them or something. Specifically in the show's fourth season, I remember staying up to watch (it came on after Saturday Night Live) the likes of Alien Contamination, Dr. Heckyll & Mr. Hype, New Year's Evil & Schzoid to name a few.

The above intro was taken from my badly beat up VHS copy of Tobe Hooper's 1986 remake of Invaders From Mars.


Anyway, have a great weekend, guys!