Each team consisted of two speakers and they were;
Team Pet Sematary;
Ghoulish Gary Pullin (Renowned
Horror Artist) and
Monica S. Kuebler (Managing Editor,
Rue Morgue Magazine)
Team Maximum Overdrive;
Tal Zimerman (Writer,
Rue Morgue Magazine) and
Steve Kostanski (Director,
Manborg)
The debate was broken down into six rounds, after each of which acting judge Stuart “Feedback” Andrews awarded points based on their performance. The first two rounds consisted of opening statements followed by a prepared six-to-eight minute video supporting their case. Here were some choice cuts;
Monica Kuebler: “It boasts incredible atmosphere and art direction as well as
that awesome double horror threat of creepy kids and creepy pets.
This rural setting would be nearly impossible to replicate on a
studio lot, so one of the films great strength is that they actually
shot it in Maine, which gave you a real feel for where Stephen King
set the story. Doing that infused the movie with a sense that this is a dark place that has been evil for a long time.”
Gary Pullin: “The movie utilizes practical effects very well. The
gore gags are outstanding and still shocking to this day. Gage's
murder of Judd, using a scalpel and the whole body makeup on Zelda,
Rachel Creed's sister, in the film is really disturbing. The film ends on a ghastly high note with a macabre ending. It's got
a gore effect that would make Lucio Fulci proud. The soundtrack to the film by Elliot Goldenthal is excellent, as
well. It is reminiscent of The Amityville theme song, which uses a
lot of children's choir, playing of the sense of youth that is
prevalent in the film. The movie also has a theme song by The
Ramones, and if your movie has a song by The Ramones – instant cult
classic!”
Alexandra West: “The most important thing about Carrie is its universality. It
was released in 1976 and ever since it has been taken on and
appropriated by a lot of other cultures. It is a testament to the
film that it is so well acted, directed and written that we can identify
with a character that is living in a specific time and place. The
films deals with a lot themes including violence, sexuality,
bullying, feminism, and these things are all really accessible.
De Palma created a full world here, where there is humour and light,
but also a dark bleakness. I think that's a huge accomplishment for
any film, let alone a Stephen King film.”
J.M. McNab: “Carrie is of unique cinematic ambition, almost experimental at
times. De Palma seems to not only want to translate the novel, but
also elevate it with his use of cinematic style. We get
unconventional filmic elements, like strange compositions, variable
film speeds and split screen technique which gets used really
effectively in the end scene. Carrie has some of the purest
distillations of King's tropes and formed the template for which all
the other films were derived.”
Less Lee Moore: “The Mist not only translates the feeling of dread from
Stephen King's original work, but actually enhances it. People and
relationships drive the story, and not the monsters. Director Frank
Darabont understood this. He stayed faithful to the book, but he also
upped the ante by adding a shocking ending that was suggested briefly
in King's own prose.”
Shaun Hatton: “The Mist uses deft characterization, compelling, urgent dialogue
and outstanding, yet restrained acting to create a sense of genuine
terror, not only from the horror outside, but also those within the
store. With The Mist, we become so emotionally invested in the movie,
that we might question who the real monsters are, but we don't
question the hard decisions made in the film.”
Tal Zimerman: “Maximum Overdrive is easily, inarguably the most entertaining
of the selections tonight. It's a non-stop orgy of mayhem, never
relenting in pace with each of the gags consistently besting the one
that came before it. Sure, it's absurd and irreverent, but more than
any other film bearing King's name, it reminds us that the author has
always lived in the world of pure entertainment. And how 'bout the
amazing AC/DC soundtrack? The music is apocalyptic, but you know, the
kind of apocalypse that lets you have a few beers while it plays out.
It makes you want to kick some truck ass!”
Steve Kostanski: “When we picked it, we were scoffed at from the get go. It was
so panned upon release and has continued to have a reputation and as
such, no one has bothered to revisit it. It was a
critical and financial failure, but this is the case with a lot of
works of art that are ahead of their time. Many of its themes are stronger now than when it was
released, as our reliance on technology has only increased and the
environmental havoc caused by transport trucks and other facets of
big industry has only gotten worse. Maximum Overdrive has always been
an underdog, but they have always been at the heart of the
best Stephen King stories.”
After the video segments and a short intermission, came the rebuttals.
Though there was a lot of mug slinging this round, the atmosphere
was extremely light and there were tons of laugh out loud moments
throughout. Here were some of the best cut-ups;
Team Pet Sematary on Carrie;
MK: “You put forth the argument that Carrie encompasses all of his
tropes therefore it is the best adaptation. I'm
going to say King has written dozens of books and not all of them
involve bullying, religious zealots and high school experiences, so
those aren't his core tropes. Also, as an author, I'd hate to be
judged on my first work because you grow by leaps and bounds with
each successive work. Authors develop their themes and tropes and
style over the course of their entire career, hence Carrie is not the
end-all, be-all adaptation because King has evolved since then.”
 |
| Team Pet Sematary, Ghoulish Gary Pullin & Monica Kuebler. |
On The Mist;
GP: “I really felt the ending worked better in the short story.
Darabont did a huge disservice to the source material by
changing it.”
On Maximum Overdrive;
GP: “There's so many plot holes in this movie. Why does that car
work for that couple that's driving into the diner. It's the only
unaffected machine and they're pivotal to the story. There's the
movie trailer as well. I saw it when I was a kid, and it's amazing
because Stephen King comes on and says, I'm going to scare the hell
out of you! And the movie is so not scary. It's funny and campy, but it's not
scary. It did not live up to that trailer one iota.”
Team Carrie on Pet Sematary;
JM: “You guys pointed to atmosphere as one of your main points,
which surprised me because to me it seemed like the art director was
fired the first day, so they just went to the Halloween superstore
and bought a fog machine and some bits of wood. It looked like an
episode of Are You Afraid Of The Dark?”
 |
| Team Carrie, J.M. McNab & Alexandra West. |
On The Mist;
JM: “You talked about everyman characters? Thomas Jane? Handsome
McHandsome? And you mentioned was the dialogue being
realistic and natural. In that clip you showed, everyone spoke like a
grad student's blog just espousing the socio-political meanings of
being trapped in this grocery store. That ending was like the screenwriter had just gone to Disneyland that day and was like, I'm gonna show that kid, I'm gonna shoot him in the fucking head!”
AW: “Another thing you said was that the people drove the
story and not the monsters, but maybe the monsters should have.
Because that was the most depressing grocery store I've ever spent
two hours in.”
On Maximum Overdrive;
AW: “You mentioned the manic mayhem pace of the whole thing and I
have to say, for a movie directed by a guy who was admittedly doing bags of
cocaine every day on set, it is the most boring movie I have ever
seen. You showed a video of kind of okay effects and cool clips,
there's a whole other ninety minutes of just talking.”
JM: “There's a romantic subplot in this movie that slows the pace
waaaay down. You can have pace as one of your arguments and show an
eight minute clip, but all that proves to me is that Maximum
Overdrive makes a great YouTube video. I also think it's worth noting
that not one single shot in Carrie features Emilio Estevez.”
Team The Mist on Maximum Overdrive;
SH: “The soundtrack is far from the best of all time, because
that's The Transformers: The Movie from 1986! Stephen King felt that
he had to direct this movie, no one else could do it. I agree that no
one else could have done it the way he pulled it off, but it's also
true that King never directed anything after that.”
 |
| Team The Mist, Less Lee Moore & Shaun Hatton. |
On Pet Sematary;
“Mary Lambert? What happened to her? Perhaps
her most notable directing credit outside of Pet Semetary is
Megapython vs. Gatoroid.”
On Carrie;
“De Palma is very hit or miss, I think a lot of people here can
attest to that. He's done many films since Carrie. It was King's
first novel, and the first one adapted into a film. When you're new
to something, you're not really that great at it. Even if it's really
good, you learn a lot and that's part of being an artist. The more
you do, the better you get.”
“Plus, all these other movies are kind of racist. Pet Sematary,
the key plot point is that there's an Indian burial ground that
brings things back to life and they're all fucked up. An Indian
burial ground? Really? That's a thing? Sorry, that's a weak
stereotypical thing to go to. In Maximum Overdrive, we've got vending
machines at the truck stop that are dispensing change, and there's a
black dude, of course, stealing all the change. And then there's
Carrie, which is just, aka White People Problems.”
Team Maximum Overdrive on The Mist;
SK: “I just got to point out that re-watching The Mist, it really
felt like the worst episode of season two of The Walking Dead.”
TZ: “The Mist is a bunch of TV actors, and it feels really cheap. And I'm
not buying Thomas Jane as the aw shucks everyman.”
 |
| Team Maximum Overdrive, Steve Kostanski (left) & Tal Zimerman. |
On Pet Sematary;
“Great effects, great atmosphere, but that Ramones song really
sucks. I like the Ramones too, but 'I don't want to be buried in a Pet
Sematary?' You're not going to, you're not a pet! It's not for you,
don't worry about it!”
On Carrie;
“It's a fine film. Brian split-screen De Palma is a decent
director and I happen to be a fan of two-hour tampon commercials.
It's an exceptional journey to go on. I really enjoyed the high
octane rock n' roll you used in your video. We didn't have to, cuz
that's our movie!”
Team Carrie kind of slayed that round, which, as a result, knotted all teams at six points a piece. It was then onto the trivia round which consisted of ten questions. It was fairly educational, as I was not aware that Jack Nicholson was the first choice to play Paul Sheldon in Misery and that there are currently nine Children of the Corn movies. After this round, teams The Mist and Maximum Overdrive were tied for the lead with eleven points.
After their closing statements, it was time for the audience vote, which Team Carrie won decidedly followed by Team Maximum Overdrive.
In the end, it was a very close race, but MAXIMUM OVERDRIVE came out
victorious and my boys Tal and Steve took home the final prize, the
Golden Tentacle! The final scores were Team Maximum Overdrive 15 points, Team Carrie 14
points, and teams The Mist & Pet Sematary with 12 a piece.
 |
| The big winners, Team Maximum Overdrive! |
This was an extremely fun time and I'd love to see another debate
happen in the next semester. It would be interesting to see whether passion will win out over logic once more.
