In the spirit of the season, I watched
my VHS of Edmond Purdom's 1984 UK slasher Don't Open Till Christmas.
A killer targeting men dressed as Santa
terrorizes London during the holiday season.
Damn this movie packs a lot into its
eighty-six minutes. Being from across the pond, it is less known than
some of the more infamous Xmas slashers like Silent Night, Deadly Night and Christmas Evil, but I feel this one just has as much to
offer. As a movie, it's a schizophrenic mess that hops from
protagonist to protagonist like an advent calendar, but if murder set
pieces and high body counts are your game, then this one is for you.
Something that struck me right away was
how similar the opening sequence was to the original Friday the 13th. If
you were to put them side-by-side, I bet the beats line-up almost
exactly. I wonder if it was intentional, or by 1984 just a by-product
of an over-saturated subgenre. I was also reminded of Juan Simón's
Pieces, as these two – in addition to sharing star Purdom – have
like-minded structures and endings. While no one got their junk
squeezed in the final frames, Don't Open ended just as abruptly. I
will say that Purdom's picture was much more outwardly dour and
nihilistic though.
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Director & Star Edmond Purdom in Don't Open Till Xmas. |
This slasher REALLY hated Santa Claus,
as a whopping ten were dispatched in all manner of gruesome ways in
this. You may wonder how they could pack that many into ninety
minutes and still have some semblance of story. Well, the answer
is... it doesn't, a coherent one anyway. Don't Open sure got access
to a lot of cool locations though and they made the most of them, my
favourite being The London Dungeon – probably within a year of when I'd have been there! Lastly, and perhaps most head scratching was the
random cameo from Caroline Munro, as herself.
Don't Open was far from perfect, but I
have to admire the effort to cram in as many beloved genre elements
into one movie as possible. I imagine a lot of this was unintentional
– rumour has it there were as many as four directors used and
extensive reshoots – but the result still kept me more than
entertained. By the end, I was just left to exclaim, “man, these
guys just don't give a FUUUUCK!”
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