In addition to the usual reviews and comments you would find on a horror movie blog, this is also a document of the wonderfully vast horror movie section of the video store I worked at in my youth.

Friday, July 8, 2016

Vingt Ans!


The schedule for the 20th edition of the Fantasia Film Festival went live a few days ago, and I now know what I'll be seeing during my yearly jaunt to La Belle Province. I have over a dozen films on my short list, but I'll be surely seeing these.








There are a few other events I'm hoping happen while I'm in town, but I'm sure I'll keeping myself busy regardless. Plus, the bumper I hastily entered in the Tentsquare contest made the finals, so it will play in front of some of the features. Exciting!

Have a great weekend, and I'll see back here soon!

Thursday, July 7, 2016

My Best Friend's Exorcism

This Spring saw the release of the book My Best Friend's Exorcism, the newest piece of fiction from author Grady Hendrix. I was a big fan of his last book Horrorstör, so it didn't take me long to track this down.


Abby & Gretchen have been inseparable since they were ten years old. But ever since that night during sophomore year when Gretchen got lost in the woods, she's been different. Is it hormones, or is something more otherworldly to blame?

Hendrix has spun another solid tale here, using the same tools that made Horrorstör such a great read. He took a tried-and-true trope – the demonic possession story – and used his colourfully visual storytelling to put it within the context of something commonplace, though arguably just as tumultuous, the life of a high school student.

Also like his previous work, the presentation was top notch and added a lot to the story. In addition to the book jacket resembling a high school yearbook, the chapter headings were all eighties song titles that directly related to the words that followed. It's such a clever device, and it made me smile because I'd hear the song – whether it be We Got The Beat, Missionary Man or I Think We're Alone Now – in my head when I began each chapter.


That's one of the main reasons that I loved that My Best Friend's Exorcism was set in the eighties. It gave me that extra layer of relatability, but it also felt right for the story that it took place during the Satanic Panic of the Reagan era. There's an inherent readability to this book that reminded me of the heyday of Christopher Pike and R.L. Stine. Their books followed a formula, but like Hendrix, they engineered universes with life and flourish. While doing some research on Hendrix, I discovered he had previously co-authored a YA series of called The Magnolia League. That makes so much sense in hindsight.

That's not to say that this book was all together tame, as there's some nightmarish imagery within. I am certainly glad I already didn't like milkshakes... Mainly though, I just responded to the through-line of a lifetime friendship being tested. It made me think of my oldest relationships and how I should make an effort to keep them from fading away to nothing.

Yeah, I liked My Best Friend's Exorcism. Hendrix continues to find magic and malevolence in the most mundane areas of life, and I'm definitely eager to see what dark corner he travels to next.

Tuesday, July 5, 2016

Trailer Tuesdays: The Baby

Let's take a little trip into the bizarre today, with Ted Post's 1973 oddity The Baby.



Okay, two things stick out to me. First, nowadays some dudes would pay good money to be in baby's situation. I'm not judgin', just pointing out the reality. Second, how oh how was this movie rated PG??? I sometimes forget how much filmmakers gamed the system back then, until of course Spielberg broke it with the one-two punch of Poltergeist and Temple of Doom. Simpler times, folks. Simpler times.

Sunday, July 3, 2016

DKTM 307


Hello all! Canada Day weekend has been just smashing, but it's time to take a break to bring you some happenings from the world of horror. Pull up a chair - or phone browser - won't you?

The UK Brings The Fright.

While there have been a number of shockers from the Motherland of late, at least the ones coming out of Leicester Square next month will be welcome. FrightFest announced this year's line-up and it is busting at the seams with genre content.


In addition to a number of wildly anticipated titles like The Woods, Let Her Out, Beyond The Gates and 31, there also a ton of lesser known efforts from around the world on the docket. Check out these trailers below.








FrightFest runs August 25th to 29th. For more info, click here.

Like!

Here is a short film that hit the Web this week from Alex J. Mann called Me2. Enjoy!



Get Planked.

Last week, I spoke of Scott Schirmer's newest diabolical creation, Plank Face. Now, the IndieGogo pre-order campaign has been launched along with the trailer.



Twenty-five bones gets you a Limited Edition DVD, as well as the filmmakers undying love. For more info on the campaign, click here

Friday, July 1, 2016

Canadian Content!


Happy Canada Day! To celebrate, I decided to watch one of my Canadian VHS, Harvey Hart's 1973 film The Pyx.


After call girl Elizabeth (Karen Black) falls from a high-rise apartment roof, Detective Henderson (Christopher Plummer) tries to piece together the events that led to her demise.

The Pyx was an adaptation of the 1959 novel of the same name, and also released with the tad more explanatory title of The Hooker Cult Murders. This movie was likely the most Canadian film I've seen in a long, long time – perhaps since Bon Cop, Bad Cop! It was shot entirely in Montreal, and the characters often switched back and forth between French & English while talking to each other. Christopher Plummer was so young in this, that it was almost distracting and Karen Black was as striking as she always was.

Karen Black as Elizabeth in The Pyx.

The narrative played out in a back and forth style as we saw the twenty-four hours before and after Elizabeth's death. I appreciated that Hart's didn't feel the need to over explain the shifts with the use of title cards and the like, as he had faith that his audience would be able to follow the flow of his film.

The Pyx functions as more of a crime drama than a horror film. Likely in response to the popularity of Rosemary's Baby and The Exorcist, this film was one of three Satanic-themed titles to come out of Canada around this time (The Reincarnate and The Possession of Virginia being the other two). We Canucks didn't really get a true handle on horror until the tax shelter system began the following year. Although, despite most of the film being pretty sedate, the cat stuck to the door with a kitchen knife sure made a statement!

Mon Dieu!!!

I think what I liked most about the movie were the little flourishes. Some of the exchanges between the cops were priceless, like when the ambulance pulls up to the crime scene;

“Cut the racket, she ain't goin' nowhere.”
 “Yeah, but I am, heavy date.”
“Okay!”

Or when the detectives are talking to the coroner;

“I don't know if you guys noticed but she's got needle marks on her.”
 “Yeah? You must have looked her over real good.”
“Well listen. My wife don't look as half as good, and she ain't even dead yet.”

I think the part that takes the cake for me though was when the rope being used as the body's crime scene outline was picked up by some neighbourhood kids to be used to jump rope. So morbid! I love it!

Lastly, there was the music. In addition to the three songs that feature Black on vocals, there was some really strange choral music that sounded like Alvin & the Chipmunks sat in with the Tabernacle Choir. It was amusing at first, but during the last moments of Elizabeth's life, it actually became quite eerie.


The Pyx, while not outwardly horror, was a competent yarn full of spirited performances. The opening visual where the night-gowned figure fell from the building was, even within my murky VHS, quite alarming and something I won't forget for a while. Tres bon!

Thursday, June 30, 2016

20 Bones

To celebrate the rapidly upcoming twentieth (20!) edition of the Fantasia Film Festival, the organizers decided to do another Tentsquare bumper competition. The only criteria was it had to be thirty seconds or less, have no dialogue and somehow feature the number 20. After hastily answering the call for submissions, I give you... 20 Bones!


Big thanks to Chris Nash, Matt Carvery and Philip Orr for lending their time and talents. If you dig it, please give it a thumbs up by going here. Thanks y'all!

Tuesday, June 28, 2016

Trailer Tuesdays: Jaws

On the heels of yesterday's post, I figured I'd go with the granddaddy of all shark movies, 1975's Jaws.



A perfect film, and a template for what would become the summer blockbuster.