After a biking accident, Helen (Alanna
LeVierge) starts having nightmares and black-outs that leads her to believe there is someone else inside her head – and they want out!
I felt, decidedly somewhat ironically,
that this was a movie of two halves. I had a few uh-oh moments during
the first act when an unnecessarily chaotic opening was followed by
some pretty stiff exposition. However, once all of the clumsy stuff
was out of the way, Let Her Out seemed to do just that and kick into
another gear. It was then I started enjoying myself.
As one might expect, the paramount
reason this movie worked at all was due to its lead, Alanna LeVierge.
She brought an incredible physicality to the role that almost comes
out of nowhere when taking into account the severe escalation of her affliction. It
was one of those dual performances that made me question if it was
indeed the same actress at times. Obviously, make-up was a factor,
but not enough to take away from LeVierge's significant acting chops.
Alanna LeVierge as Helen in Let Her Out. |
Speaking of the make-up effects, they
were rock solid here. Effects artist Shaun Hunter has so vastly
improved over what he has doing just a year or two ago that I think
his work here stacks up against anything we’ve seen recently. In
addition to the bloody climax, there was also a fantastic little set
piece on a subway platform. It was the perfect example of effects,
camerawork and performance coming together to create something
really bad-ass.
Lastly, I just wanted to mention that I
appreciated how Toronto was represented. Let Her Out was set here,
and made no bones about it, as evidenced by the ample shots of the
city’s skyline. Granted, Niagara Falls and Guelph were also
utilized, but Toronto is pretty unmistakable when you see it. We need
more filmmakers (Denis Villeneuve’s Enemy is perhaps the greatest
recent example) using this city as a backdrop for their darker tales. We have our demons too.
Cast & crew of Let Her Out. |
So despite Let Her Out’s shaky start,
I think it redeemed itself by the end. While it’s true we’ve seen
these themes played out before, there was a cold, dark and yet
colourful coat of paint on this that made it it’s own beast.
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