Perhaps my most anticipated film of
this year's Midnight line-up was Jaume Balagueró's conclusion to the
[REC] series, Apocalypse.
Soon after Angela (Manuela Velasco) is
rescued from the apartment complex and quarantined in a laboratory
set up inside an oil tanker, the outbreak begins anew.
For [REC]4, Balagueró abandoned the found
footage narrative and the result is both a blessing and a
curse. It had to be done as, save for a few exceptions, this format
has run its course, but I felt that with that element gone, a lot of
the series' identity went with it. There was a level of intimacy in
the first two pictures, that was, for the most part, not present
here. The locale of the oil tanker was just as claustrophobic as the
tenement building, but something in the change of how the story was
presented lessened the effect.
Balagueró attempted to mesh two genre
favourites (The Thing and Alien) into his film with limited success.
I certainly got a sense of the former when all the rag-tag crew were
being introduced in the first act, but most of them lacked the
wonderful character flourishes that distinguished them in John Carpenter's
masterpiece. The reference to the last chunk of Alien, where the last
remaining members were rushing against the ship's self-destruct,
worked considerably better and enhanced the tension of the movie's
climax.
Angela (Manuela Velasco) continues to fight for her life in [REC]4. |
[REC] also felt more like an action
film than a horror film, as well. I'd have no problem with that, but
that's not really what I've come to expect from the this series. I
mean, the sight of an snarling infected person running full-tilt at
me is always going to get my back up, but the inspired “engineering”
of the scare set pieces seemed to be in shorter supply here. I was
also disappointed that the supernatural element alluded to in the
second film – which made up some of [REC]2's best moments – was
all but abandoned.
However, now that I've sounded off
about what [REC]4 wasn't, I'll talk about what it was. Still a lot of
fun. This series has always been about Angela, and I was glad
Balagueró was able to play out her story to fruition. Horror does
not have nearly as many iconic heroines as it once did, so she damn
well deserved another go-round! It was awesome that Manuela Velasco
was at the Midnight screening to watch the movie with us.
Director Jaume Balagueró & star Manuela Velasco. |
Though not the resounding crescendo I
was hoping for, [REC]4 was far from a pointless add-on. We've been on
this nerve-shredding journey with Angela for seven years now and it
deserved a conclusion.
*Q&A courtesy of Robert Mitchell
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