Last weekend saw the release of David
F. Sandberg's Lights Out.
Rebecca (Teresa Palmer) re-enters the
lives of her estranged family when her half-brother Martin (Gabriel
Bateman) tells her that a spectral presence is endangering him and
his increasingly unstable mother (Maria Bello).
I was pulling for this movie as it
evolved from an excellent two-minute short film. Unfortunately, as a
feature length effort, it didn't pack the same punch. Don't get me
wrong, there were a handful of solid set pieces, but often the
premise was more frightening than the actual execution. The
stay-in-the-light plot device was effective, but I don't know that it
really added anything that wasn't explored in titles like Darkness
Falls and Pitch Black from the early 2000's.
Gabriel Bateman & Teresa Palmer in Lights Out. |
I cannot fault the performances, as
they were good top to bottom, but the dramatic beats felt a little
forced at times. Lights Out also sadly fell into the trap of
spoon-feeding exposition. I can't not roll my eyes when scenes start out with awkward lines like, “so your mom was in a mental
hospital.” A similarly-themed film like 2013's Mama (also coincidentally birthed from a short film) resonated more
with me because I was invested in the characters. However,
unlike Mama, Sandberg kept the movie from becoming a CGI shitshow. He
employed as many practical effects as possible and that was something
I really appreciated.
I also liked that the opening scene of the movie was essentially lifted from the short film and built from there. Sandberg
even used the same actress, (Lotta Losten) and keen eyes may have caught a familiar doll in the boss's office. It made for a nice bridge between the
short and the feature. When Lights Out worked, it really worked, but
it was barely a movie otherwise. It's certainly watchable and
stacks up against other mainstream fare out there, but I was hoping
for something more substantial.
Mainly, I do want to say good on David F. Sandberg for turning his two-minute festival competition piece into a
feature deal. It gives hope to the rest of us that if you can come up
with a really great idea that the horror community latches onto, the
future can be very bright indeed.
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