I was very happy to hear that the
second edition of horror's analog anthology V/H/S 2 was playing Fantasia while I was there.
A couple of private detectives hired to find a missing person are led to a house filled with old
television sets and piles of VHS tapes. Looking for possible leads,
they begin to watch them and potentially unspool their doom.
I found V/H/S 2 to be a little more
consistent than its predecessor and a pretty successful venture. It
seemed like everybody was on the same page this time around, with
four out of the five contributors presenting an apocalypse scenario.
It also didn't feel as long as the first movie, which was likely not
only due to the shorter running time, but also that the strongest
shorts were in the middle here, instead of the book-ends of the
first installment.
So, let's break this one down, shall
we? The opening story entitled “Clinical Trails – Phase 1” was
directed by the only returning filmmaker from V/H/S, Adam Wingard
(You're Next). This one features a man – played by Wingard himself
– whose recently implanted cornea comes with the terrifying side
effect of being able to see ghosts. Wingard's entry was fairly well done and had some good scares,
but I feel like this ground was covered more successfully in the Pang
Brothers' 2002 film The Eye.
Spirits abound in Adam Wingard's "Clinical Trails - Phase 1" |
The second short was Eduardo Sanchez's
(Lovely Molly) “A Ride In The Park”, which shows a man's
leisurely forest bike ride turn into a nightmare. I thought this was
a simple, yet fresh take on the zombie genre that sort of played like
an extension of Ben Wheatley's ABC's of Death short, U is for
Unearthed. It was very well executed, but considering it was done by
the man who basically birthed – or at least popularized – the
“found footage” subgenre with The Blair Witch Project, this really shouldn't be a surprise at all.
Up next, was “Safe Haven” by the
pairing of Timo Tjahjanto (Macabre) and Gareth Evans (The Raid), about
a news camera crew that travels to a religious compound to interview
their enigmatic leader. This was by far the best of the bunch.
The combination of Tjahjanto's effed-up sensibilities with Evans'
technical prowess was truly a sight to behold. They were able to create
distinct characters and promote a tangible sense of dread and
escalation in an incredibly short amount of time. There was so much
going on in this short, it was almost as if they were thumbing their
noses at the other contributors.
Epy Kusnandar as Father in Tjahjanto & Evans' "Safe Haven" |
Last, but not least, was Jason
Eisener's (Hobo With A Shotgun) short “Slumber Party Alien
Invasion”, which is pretty self explanatory. It was the only short that
actually boasted a sense of humour and I appreciated that by the end.
However, that didn't stop it from sporting some genuinely creepy
images. I think the tone justifies its position as the last story,
even though Safe Haven would've been a hell of a way to cap things
off. However, I do have to admit that Slumber Party was the only
entry that felt a little unfinished though.
Otherworldly visitors from Jason Eisener's "Slumber Party Alien Invasion". |
The wraparound construct called “Tape 49”,
was provided by writer Simon Barrett in his first foray into
directing. I found this a much better concept overall than the
previous one, which felt more like an afterthought after its setup,
and liked how it played out.
Kelsy Abbott as Ayesha in Simon Barrett's "Tape 49". |
V/H/S 2 was a solid anthology made by
an exciting group of filmmakers. I remain a fan of this project and
if Brad Miska and company choose to continue making them, I'll keep
on watching them.
1 comment:
Thank you for your reviewing post Jay Clarke. Actually I am a fan of this types of movies. I have many old VHS tapes. But most of them have been damaged. I am thinking that I will transfer all of my VHS tapes on to CD or DVD by the VHS to DVD Transfer service.
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